Expert, Trends Romy Ahluwalia Expert, Trends Romy Ahluwalia

FENG SHUI

In this period of retrospective design, trends seem to be more fast and frequent than ever before. The world of design feels saturated with multiple styles and eras being revived and combined. It can feel a bit overwhelming. In order to navigate this, I have found myself returning to my knowledge of design philosophy; the core principles of design that have endured time and transcended ‘trend’…

USEFUL TIP: A good way to figure out the energy flow in your house is to imagine a river flowing through it - which areas fill up easily with water and which are left dry?

Throughout my career I have witnessed numerous styles travel in and out of fashion. I have never thought of myself as a designer that actively follows trends but I’ve always been able to differentiate a fad from a classic. However, in this period of retrospective design, trends seem to be more fast and frequent than ever before. The world of design feels saturated with multiple styles and eras being revived and combined. It can feel a bit overwhelming. In order to navigate this, I have found myself returning to my knowledge of design philosophy; the core principles of design that have endured time and transcended ‘trend’. 

In our last post Season’s Senses I discussed the Hygge philosophy, this time I want to look at Feng Shui. Feng Shui, at its surface level, came to the attention of the western design world in the 90’s. Instead of gaining popularity on social media like Hygge, it was self-help books that flew off the shelves about how to ‘feng shui your life’. Everyone was doing it, including Bridget Jones. This simplified version packaged for the west felt like a fad, however the true philosophy of Feng Shui withstands.

Image via the Feng Shui Society. Contact them to find a Feng Shui training course or consultant.

Image via the Feng Shui Society. Contact them to find a Feng Shui training course or consultant.

A BRIEF HISTORY

Feng Shui is an ancient Chinese discipline dating back thousands of years that translates to ‘wind-water’. It was initially used to identify safe locations where communities would be able to settle, farm and flourish. It was later used to determine the best sites for burial grounds and sacred buildings. It’s primary concern is with the flow of Qi/Chi (氣) “natural energy” in a space and the objects that block it. Traditionally, Feng Shui was treated like a secret art and knowledge was only passed down within families.

FENG SHUI AND INTERIOR DESIGN

Feng Shui is a complex and ancient discipline - one that I am constantly learning about. It would be disingenuous for me to try and explain or simplify all the rules so instead I’d like to share a few of the key ideas that have informed me as a designer over the years.

The first thing to understand about Feng Shui is that it’s largely about balancing components. It’s believed that if we can balance out the natural elements - earth, wood, fire, metal and water - then we can balance the energy within our home, helping us live more harmonious lives. I often refer to this ideology when developing a design as it can be applied to the selection of both materials and colour.

COLOUR

I talk a lot about colour psychology when I discuss interior design. Colour can transform a space and our mood. Similarly, Feng Shui believes that colour is a very powerful tool for harnessing desired energies. Each natural element is represented by a palette of colours. This varies between different schools of Feng Shui however the most common are - Wood: green/brown, Fire: red/dark yellow/orange, Earth: sandy/light brown, Metal: white/grey, Water: blue/black. 

Green is believed to be a good colour to activate energy, especially when used in different shades. It connotes health and growth so is suitable for kitchens and bathrooms. Plants are a great way to introduce green throughout a house. Ideal placement for plants are on the inside or outside of corners as it’s believed that the sharp angles give off bad energy. The greenery counters this energy and softens any harsh lines.

Little Greene ‘Jewel Beetle’

Little Greene ‘Jewel Beetle’

Sage Green 80, Mambo 112.jpg

MIRRORS

Mirrors are a fantastic design tool - especially when it comes to applying Feng Shui to a demanding space. Most homes in the UK aren’t structurally designed to allow for good Feng Shui. For example, narrow hallways, often found in terrace houses, can stifle energy flows. A big mirror is the best way to combat this as they activate energy and extend spaces. Try not to position a mirror where it will directly reflect a door, staircase, loo or any door facing outside (as this would just bounce energy straight back out).

Image and mirror via Cox & Cox. Mirrors are excellent for dining areas as it’s believed that the doubling of the food symbolizes abundance for the household.

Image and mirror via Cox & Cox. Mirrors are excellent for dining areas as it’s believed that the doubling of the food symbolizes abundance for the household.

Image and mirror via Cox & Cox.

Image and mirror via Cox & Cox.

Feng Shui is a lot more meticulous and technical in comparison to Hygge. However, like most design philosophies, Feng Shui, at its heart is about being conscious. It is a belief that habitat and inhabitant are connected beyond geography and the material. In a time that feels so unstable, I believe creating some structure and balance at home is one of the best things we could do for ourselves.

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Inspiration Romy Ahluwalia Inspiration Romy Ahluwalia

INSPIRATION: ARTWORK

Before establishing Saal Design 29 years ago I studied Fine Art and worked as a watercolour artist and gallery curator. Art has always been my one true passion. However, I found the life of an artist unfulfilling. It was this that motivated my transition into the world of interiors...

Before establishing Saal Design 29 years ago, I studied Fine Art and worked as a watercolour artist and gallery curator. Art has always been my one true passion. However, I found the life of an artist unfulfilling. The hours of solitary studio time day after day were difficult and I craved human interaction and collaboration. It was this that motivated my transition into the world of interiors. As an interior designer I am able to collaborate with every client and create a different kind of art. I can apply all my artistic knowledge of colour psychology, pattern and shape and help someone create a home. This work was fulfilling and realised all of my passions.

Although my role had changed, artwork always remained one of my main sources of inspiration. Seeing a stunning piece of art wakes me up and revitalizes my mind. It feeds my work as an interior designer and encourages me to push the boundaries. I think artwork can do this for anyone, whether they have a creative mind or not. 

Paul Gauguin, The Wave, 1888

Paul Gauguin, The Wave, 1888

Frank Auerbach, Head of Gerda Boehm, 1965

Frank Auerbach, Head of Gerda Boehm, 1965

Bowie once said that art was “the only thing” he’d ever wanted to own. “It has always been for me a stable nourishment. I use it. It can change the way I feel in the mornings,” he said. “The same work can change me in different ways, depending on what I’m going through.” Art has a powerful ability to effect our subconscious and this makes the task of selecting artwork for the home incredibly important. 

ELEMENTS TO CONSIDER

Colour: The colour palette of a piece of art can affect us significantly. If colours contrast heavily with the rest of a room, it can make the viewer feel unsettled. It is important to take the characteristics and psychology of colour into account. Bright colours are generally happy and exciting and work best in rooms with a lot of natural light. Certain tones of blue make us feel more awake. Lighter colours and greens are calming. Dark colours create a more subdued, sultry atmosphere.

Jo Taylor, Blood Horse IIThe light colours of this piece, along with the elements of blue and strong lines have a refreshing and energizing effect on the mind.

Jo Taylor, Blood Horse II

The light colours of this piece, along with the elements of blue and strong lines have a refreshing and energizing effect on the mind.

What does it mean: I find the most interesting pieces of art are ones that mean something to its owner. Whether it is an investment piece or a framed doodle, it is valuable and important. It has been selected with thought or from a gut instinct that couldn’t be ignored - it isn’t simply filling a space on the wall.  Psychologist Samuel Gosling did a study that revealed that the space we create for ourselves can tell a stranger more about us in 15 minutes than if we spent quality time socializing with them over the course of weeks. Our homes are an extension of ourselves and what we choose to put on the wall tells a story.

Dame Barbara Hepworth, Sea Form (Porthmeor), 1958

Dame Barbara Hepworth, Sea Form (Porthmeor), 1958

Watercolour of a twig I loved the texture of and couldn't leave behind

Watercolour of a twig I loved the texture of and couldn't leave behind

Placement: Less is more. Try to give the artwork the wall space it deserves so that the eye can truly take it in. If you have more artwork than wall space then maybe try to rotate what you have on the walls instead of cramming them all on. This is also great even if you only have a few pieces. Seeing the artwork in a new space is exciting and gives the viewer an opportunity to appreciate the piece, quite literally, in a new light.

Please enquire for details

Please enquire for details

Nancy Knight, Abstract Watercolour

Nancy Knight, Abstract Watercolour

Even with this knowledge, the process of finding artwork can be a daunting one. However, art sourcing for my clients is one of my favourite tasks. I love exploring galleries and discovering new artists. It is a great honor to be trusted with something so personal. I also feel very privileged when clients ask me to work with art they have already collected. I love when a piece of art is the source of inspiration for an entire project. I have had clients come to me having invested in their first piece of art and we have gone on to develop a whole scheme and room flow to support it. They loved their artwork and now a had a space that enhanced and elevated it. I feel very lucky when I get to share art with a client and collaborate in this way.

Pablo Picasso, Portrait of Dora Maar, 1937

Pablo Picasso, Portrait of Dora Maar, 1937

Kandinsky, Composition VIII, 1923

Kandinsky, Composition VIII, 1923

Pablo Picasso said ‘the purpose of art is washing the dust of daily life off our souls.’ This is why art is my ultimate inspiration, it exercises my soul and gives me perspective. I believe it is one of the most important tools available to an interior designer and to the world.

If you are seeking any help with artwork or art sourcing, don’t hesitate to get in touch: info@saaldesign.co.uk

Some artwork that has recently inspired me:

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